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He shows Genji how to make allies by earning their respect and friendship. In the process he is befriended by a low-level yakuza named Ken, a likeable fellow who dropped out of Suzuran many years ago.
What they call their seishun jidai.Īnyway, back to Crows Zero, we follow Genji as he tries to beats his foes into submission and gather allies. Maybe I’m simplifying this too much, but it’s why I feel that there is always this nostalgic view of school life, this yearning for a simpler time filled with hope and dreams. I’m not saying that there are no societal rules in the West, but that people don’t necessarily feel as shackled. The working life is more flexible and people can shake off the ties of family and school. In the West, it is only once you graduate that you can earnestly begin to pursue your dreams. You join the working masses and most people give up the dreams of their youth. Upon graduation, you become a shakai-jin, a person of society, and must now live within the rules of society, which are numerous and severe.
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In Japan, you are essentially free to follow your dreams and live freely until graduation, only having to follow the rules set down by your parents and school. And I realised that it had to do with freedom. Pondering this issue, I began to wonder why so many Japanese tales are set during adolescence as opposed to the West where people are more focussed on life as an adult. Like crows, these boys follow their own rules, freely and not bowing to a society that despises and refuses to understand them. And they do it with all their being, maybe not in the best or politest way, but in an honest way. In the same way, when I watch dramas and films about high school delinquents, they tell me about the problems in Japan’s society, and how the young people try to understand and overcome the issues thrust upon them by the adult world. There is no mask one wears in public and private. These people (in the fictional world) live whole heartedly and give their all.
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I don’t agree with him (because the underworld, when you come down to it, is criminal and feeds off people’s fear and suffering, plus they kill people), but I do understand what it is he is trying to say. Takeshi Kitano (or Beat Takeshi as he’s better known in Japan), famous Japanese comedian and film maker ( Sonatine, Brother, Zatoichi) once said that he makes films about the yakuza because they are the only people that embody the Japanese spirit (kokoro) which has vanished from modern Japan. I definitely wasn’t a delinquent, so maybe I just find it exotic. Maybe you’re just drawn to something which you’re not. Maybe when I was growing up, they seemed to have a thirst for life and freedom which I never sought in the simple and happy environment I grew up in (not that I’m complaining – what with all the travelling, I had a pretty exciting childhood). Like with Gokusen, I don’t know why I like watching dramas and films about delinquents so much. His ultimate goal is to fight Tamao Serizawa, the monster third year student who is currently the strongest boy in the school. Genji has a difficult relationship with his father and to prove his worth, he must take on and unite the warring gangs at Suzuran, something that has never been done before. Starring Shun Oguri and Takayuki Yamada, Crows Zero opens with the arrival of Genji Takiya, son of a Yakuza boss, at Suzuran Boys High School, one of the toughest and most violent schools in town. And it’s a beast of a movie, but one with a heart.
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Based on the manga series Crows by Hiroshi Takahashi, Crows Zero is an original prequel written by Shogo Muto and directed by Takashi Miike and features some of the original characters from the manga but is essentially a different beast. It was probably one of the best films I saw this year. So then I had to go back and watch the first film again which shows just how much I liked it. I wasn’t planning on writing about Crows Zero (2007) but, thanks to a vicious cold, I’ve recently been on a Japanese drama and film binge and watched it’s sequel Crows Zero 2 (2009).
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